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Fashion

Interpreting Fashion

Make way for the stylist

Photos by:

Words by:

Karma

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Behind the bevvy of beautiful images is a largely unheralded backstage collective of people. Few are as important as a stylist but for a long time now, they have remained usefully behind the scenes, receiving perhaps an iota of recognition of photographers or models, much less designers.

Among the many hands that shape what comes alive in the pages of a magazine, those of a stylist are crucial in every step of the process—be it going lengths to source a piece of clothing that may or may not make it to the final edit, sewing a button last-minute on set, or convincing a model to stand on stilts so that the dress billows out just enough to create a burst of theatricality. 

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Stylists work on the minutiae of a visual—how an unassuming tuck or fold of a garment can completely change the appearance and attitude of the person wearing it. They see the resultant image in their mind’s eye while in the controlled chaos of an editorial shoot. They add layer upon layer—or strip them off completely—to create fresh styles or catapult those yet nascent. In the quest to remain relevant, they see the need to portray not just trends but the transformative nature of fashion itself, fashion’s ability to speak a cultural language, clothes as a signifier of who we really are.

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In Moulmein, in lower Burma, I was hated by large numbers of people – the only time in my life that I have been important enough for this to happen to me. I was sub-divisional police officer of the town, and in an aimless, petty kind of way anti-European feeling was very bitter. No one had the guts to raise a riot, but if a European woman went through the bazaars alone somebody would probably spit betel juice over her dress.

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